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Books are only one measure of accomplishment
Co-Created Manuscripts
Chapter Ghosting & Embedded Authorship
Long-Form Professional Works
Roughly half of my authors come to me with substantial drafts—anywhere from 10,000 to 30,000 words. My role is part developmental editor, part writing coach, part structural ghost. Together, we transform rough material into a cohesive, publishable book.
Even when I’m not the “sole ghostwriter,” I’m deeply embedded in the creative process—helping to shape, refine, and sometimes reinvent the work from the inside out.
Long-Form Professional Works
Chapter Ghosting & Embedded Authorship
Long-Form Professional Works
From the U.S. Department of Justice to private-sector clients, I’ve written and edited more than a dozen long-form documents: manuals, technical guides, and implementation toolkits. While not always “published” in the traditional sense, many are used nationally—and a few (like DOJ materials) are formally published and cited.
These are books in everything but ISBN: precise, authoritative, and built for real-world application.
Chapter Ghosting & Embedded Authorship
Chapter Ghosting & Embedded Authorship
I’ve partnered with numerous academic and professional authors to ghostwrite individual chapters—or, in some cases, more than half of their manuscripts. These projects often require deeply attuned voice-matching, conceptual translation, and structural coherence across multiple contributors.
Generally, when I ghost more than half of a manuscript, I count it as a full-book collaboration.
eBooks & Lead Magnets
These short-form projects—often 5,000–15,000 words—serve as thought-leadership pieces or entry points into an author’s brand ecosystem. I’ve written more than forty of them, distilling complex expertise into approachable, persuasive, and beautifully readable texts that convert attention into trust.
Short-Form Originals
Analytics and Reporting
In contrast to client-commissioned eBooks, my short-form originals are creative works in their own right: essays, reflections, profiles, and experimental pieces that showcase my narrative voice. They’re where I test ideas, explore form, and let language breathe—often precursors to larger works.
Analytics and Reporting
Analytics and Reporting
At the analytical end of the spectrum, I’ve written data-driven reports, evaluation summaries, and impact analyses for agencies, nonprofits, and academic institutions. These projects require fluency in both qualitative and quantitative reasoning—and the ability to turn findings into stories people can act on.
They connect evidence to narrative, insight to implementation.